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No thing what type about digital camera you're looking for, we've got a top-rated shooter for you.

Want to shoot open-air sports or submerged excursions? These are the best action cams we've tested.

Tired about lugging lots about lenses? Bridge cameras are styled similar to SLRs, but feature fixed, elongated zooms. These are our top performers.

If charming pictures is your passion, these pointers can aid expand your skills and bring new perspective to your work.

• Bottom Line: The Fujifilm Fujinon GF 250mm F4 R LM OIS WR lens adds a bit about telephoto versatility to a GFX medium form kit, but is a not much short for some disciplines.

  Bottom Line: The Fujifilm Fujinon GF 250mm F4 R LM OIS WR lens adds a bit about telephoto versatility to a GFX medium form kit, but is a not much short for some disciplines.

• Bottom Line: The Fujifilm Fujinon GF 120mm F4 R LM OIS WR Macro delivers special ruling and is built for all-weather use.

  Bottom Line: The Fujifilm Fujinon GF 120mm F4 R LM OIS WR Macro delivers special ruling and is built for all-weather use.

• Bottom Line: The Fujifilm GFX100 is, public house none, the best medium form camera on the mart today, gratitude to an foremost autofocus system and in-body stabilization.

  Bottom Line: The Fujifilm GFX100 is, public house none, the best medium form camera on the mart today, gratitude to an foremost autofocus system and in-body stabilization.

• Bottom Line: The Sony Cyber-shot DSC-RX100 VA sports the same rich lens and image sensor as the RX100 V, in the company of improvements limited to its bill of fare system and JPG engine.

  Bottom Line: The Sony Cyber-shot DSC-RX100 VA sports the same rich lens and image sensor as the RX100 V, in the company of improvements limited to its bill of fare system and JPG engine.

• Bottom Line: The Tamron SP 35mm f/1.4 Di USD lens delivers special image quality at a reasonable price, making it a more completely get than first-party options.

  Bottom Line: The Tamron SP 35mm f/1.4 Di USD lens delivers special image quality at a reasonable price, making it a more completely get than first-party options.

• Bottom Line: The Sony E 70-350mm F4.5-6.3 G OSS is a closely packed telezoom built for APS-C cameras. It's hardy and sharp, in the company of a cost to match.

  Bottom Line: The Sony E 70-350mm F4.5-6.3 G OSS is a closely packed telezoom built for APS-C cameras. It's hardy and sharp, in the company of a cost to match.

• Bottom Line: The Sony E 16-55mm F2.8 G is the company's earliest pro-grade zoom for its APS-C mirrorless system. It's been a elongated time coming, but it makes a beautiful first impression.

  Bottom Line: The Sony E 16-55mm F2.8 G is the company's earliest pro-grade zoom for its APS-C mirrorless system. It's been a elongated time coming, but it makes a beautiful first impression.

• Bottom Line: Sony brings its current autofocus tech and large Z power unit to its a6600 APS-C camera, but we liking there were extra ergonomic improvements.

  Bottom Line: Sony brings its current autofocus tech and large Z power unit to its a6600 APS-C camera, but we liking there were extra ergonomic improvements.

• Bottom Line: The EOS M6 Mark II marks a large stride forward for Canon's APS-C mirrorless system, but the available lenses aren't as appealing as those offered through Fujifilm and Sony.

  Bottom Line: The EOS M6 Mark II marks a large stride forward for Canon's APS-C mirrorless system, but the available lenses aren't as appealing as those offered through Fujifilm and Sony.

• Bottom Line: The Canon EOS 90D offers a new sensor in the company of significantly extra ruling than its predecessor, but competing mirrorless options more completely it inside autofocus performance.

  Bottom Line: The Canon EOS 90D offers a new sensor in the company of significantly extra ruling than its predecessor, but competing mirrorless options more completely it inside autofocus performance.

• Bottom Line: The Venus Optics Laowa 15mm f/2 Zero-D is an ultra-wide lens in the company of an especially rich space and nearly not at all barrel distortion.

  Bottom Line: The Venus Optics Laowa 15mm f/2 Zero-D is an ultra-wide lens in the company of an especially rich space and nearly not at all barrel distortion.

• Bottom Line: Sigma's 56mm F1.4 DC DN Contemporary lens captures crunchy images in the company of a shallow depth about field, and is a solid supplement to your camera kit.

  Bottom Line: Sigma's 56mm F1.4 DC DN Contemporary lens captures crunchy images in the company of a shallow depth about field, and is a solid supplement to your camera kit.

• Bottom Line: The Voigtlander Macro APO-Lanthar 65mm F2 is able about capturing incredibly crunchy macro images, but is for manual focal point aficionados only.

  Bottom Line: The Voigtlander Macro APO-Lanthar 65mm F2 is able about capturing incredibly crunchy macro images, but is for manual focal point aficionados only.

• Bottom Line: The Sigma 45mm F2.8 DG DN Contemporary is one about the company's earliest ground-up designs for full-frame mirrorless cameras and offers nearly everything you want from a closely packed leading lens.

  Bottom Line: The Sigma 45mm F2.8 DG DN Contemporary is one about the company's earliest ground-up designs for full-frame mirrorless cameras and offers nearly everything you want from a closely packed leading lens.

• Bottom Line: The Sony E 30mm F3.5 Macro is an affordable, lightweight macro lens. It focuses certainly close, but be present wary about its short working distance.

  Bottom Line: The Sony E 30mm F3.5 Macro is an affordable, lightweight macro lens. It focuses certainly close, but be present wary about its short working distance.

• Bottom Line: The Sony E 35mm F1.8 OSS lens offers a rich space and standard gradient about view for capturing keen images in the company of a shallow depth about field.

  Bottom Line: The Sony E 35mm F1.8 OSS lens offers a rich space and standard gradient about view for capturing keen images in the company of a shallow depth about field.

• Bottom Line: The E 20mm F2.8 is the ideal wide-angle pancake lens for your Sony mirrorless camera.

  Bottom Line: The E 20mm F2.8 is the ideal wide-angle pancake lens for your Sony mirrorless camera.

• Bottom Line: The Lensbaby Trio 28 combines three about the company's special goods inside one lens for mirrorless camera systems.

  Bottom Line: The Lensbaby Trio 28 combines three about the company's special goods inside one lens for mirrorless camera systems.

• Bottom Line: The Lensbaby Burnside 35 combines Petzval optics in the company of a wide-angle field about view and adjustable consequence slider, capturing images you won't get in the company of another lens.

  Bottom Line: The Lensbaby Burnside 35 combines Petzval optics in the company of a wide-angle field about view and adjustable consequence slider, capturing images you won't get in the company of another lens.

• Bottom Line: The Lensbaby Sol 45 is an affordable artwork lens that draws images in the company of a small, keen area about focus, surrounded through blur, in the company of adjustable blades to total texture.

  Bottom Line: The Lensbaby Sol 45 is an affordable artwork lens that draws images in the company of a small, keen area about focus, surrounded through blur, in the company of adjustable blades to total texture.

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